The Contrasting Themes and Structure of William Faulkners The Bear Ess

Part Four Chapter IX

IX The Yarvil and District Gazette decided in favor of alert in revealing what had been said during the most bitter Pagford Parish Council meeting in living memory. It had little effect; the bowdlerized report, enlarged by the clear observer depictions offered by all who had joined in, still made boundless tattle. To exacerbate the situation, a first page story definite the unknown web assaults in the dead man's name that had, to cite Alison Jenkins, 'caused extensive hypothesis and outrage. See page four for full report.' While the names of the blamed and the subtleties for their alleged misdeeds were not given, seeing ‘serious claims' and ‘criminal movement' in newsprint upset Howard much more than the first posts. ‘We ought to have expanded security on the site when that first post showed up,' he stated, tending to his significant other and colleague from before his gas fire. Quiet spring precipitation sprinkled the window, and the back garden sparkled with minuscule red pinpricks of light. Howard was feeling shivery, and was hoarding all the warmth radiating from the phony coal. For a few days, almost every guest to the store and the bistro had been tattling about the mysterious posts, about the Ghost of Barry Fairbrother and about Parminder Jawanda's upheaval at the board meeting. Howard despised the things that she had yelled being bandied about in broad daylight. Without precedent for his life, he felt awkward in his own shop, and worried about his beforehand unassailable situation in Pagford. The political decision for the substitution of Barry Fairbrother would happen the next day, and where Howard had felt cheerful and energized, he was concerned and skittish. ‘This has done a ton of harm. A great deal of harm,' he rehashed. His hand wandered to his gut to scratch, yet he pulled it away, persevering through the tingle with a saint's appearance. He would not before long overlook what Dr Jawanda had shouted to the chamber and the press. He and Shirley had just checked the subtleties of the General Medical Council, gone to see Dr Crawford, and submitted a conventional question. Parminder had not been seen grinding away since, so no uncertainty she was at that point lamenting her upheaval. By the by, Howard couldn't free himself of seeing her demeanor as she shouted at him. It had shaken him to see such contempt on another human's face. ‘It'll all blow over,' said Shirley reassuringly. ‘I'm not entirely certain,' said Howard. ‘I'm not entirely certain. It doesn't make us look great. The gathering. Lines before the press. We look partitioned. Aubrey says they're upset, at District level. This sabotaged our announcement about the Fields. Quarreling in broad daylight, everything getting filthy †¦ it doesn't resemble the board's representing the town.' ‘But we are,' said Shirley, with a little snicker. ‘Nobody in Pagford needs the Fields †scarcely anybody.' ‘The article makes it appear as though our side followed expert Fielders. Attempted to threaten them,' said Howard, capitulating to the compulsion to scratch, and doing it furiously. ‘All right, Aubrey realizes it wasn't any of our side, however that is not how that writer made it look. Also, I'll disclose to you this: if Yarvil makes us look awkward or grimy †¦ they've been searching for an opportunity to take us over for quite a long time.' ‘That won't occur,' said Shirley without a moment's delay. ‘That couldn't occur.' ‘I thought it was finished,' said Howard, disregarding his better half, and thinking about the Fields. ‘I figured we'd done it. I thought we'd disposed of them.' The article over which he had invested so much energy, clarifying why the domain and the Bellchapel Addiction Clinic were depletes and smears on Pagford, had been totally eclipsed by the embarrassments of Parminder's upheaval, and the Ghost of Barry Fairbrother. Howard had totally overlooked now how much joy the allegations against Simon Price had given him, and that it had not become obvious him to expel them until Price's better half had inquired. ‘District Council's messaged me,' he told Maureen, ‘with a lot of inquiries regarding the site. They need to hear what steps we've taken against criticism. They think the security's remiss.' Shirley, who distinguished an individual censure in the entirety of this, said icily, ‘I've let you know, I've dealt with it, Howard.' The nephew of companions of Howard and Shirley's had come round the earlier day, while Howard was grinding away. The kid was part of the way through a degree in registering. His suggestion to Shirley had been that they bring down the enormously hackable site, get ‘someone who recognizes what they're doing' and set up another one. Shirley had seen scarcely single word in ten of the specialized language that the youngster had heaved at her. She realized that ‘hack' intended to penetrate illicitly, and when the understudy quit talking his nonsense, she was left with the befuddled impression that the Ghost had some way or another figured out how to discover individuals' passwords, possibly by addressing them shrewdly in easygoing discussion. She had along these lines messaged everyone to demand that they change their secret key and make a point not to impart the upgraded one to anyone. This was what she implied by ‘I've dealt with it'. With regards to the proposal of shutting down the site, of which she was gatekeeper and caretaker, she had made no strides, nor had she referenced the plan to Howard. Shirley was worried about the possibility that that a site containing all the safety efforts that the prevalent youngster had recommended would be route past the extent of her administrative and specialized aptitudes. She was at that point extended to the furthest reaches of her capacities, and she was resolved to stick to the post of chairman. ‘If Miles is chosen †‘ Shirley started, yet Maureen intruded, in her profound voice. ‘Let's expectation it hasn't hurt him, this awful stuff. We should trust there isn't a reaction against him.' ‘People will realize Miles had nothing to do with it,' said Shirley coolly. ‘Will they, however?' said Maureen, and Shirley just despised her. How could she sit in Shirley's parlor and repudiate her? Also, what was more regrettable, Howard was gesturing his concurrence with Maureen. ‘That's my concern,' he stated, ‘and we need Miles like never before now. Recover some union on the committee. After Bends-Your-Ear said what she said †after all the commotion †we didn't take the decision on Bellchapel. We need Miles.' Shirley had just left the room in quiet dissent at Howard's agreeing with Maureen. She busied herself with the teacups in the kitchen, quietly smoldering, asking why she didn't set out just two cups to give Maureen the insight that she so lavishly merited. Shirley kept on feeling only resistant appreciation for the Ghost. His allegations had uncovered reality with regards to individuals whom she hated and scorned, individuals who were ruinous and backward. She was certain that the electorate of Pagford would see things her way and decision in favor of Miles, instead of that sickening man, Colin Wall. ‘When will we proceed to cast a ballot?' Shirley asked Howard, returning the live with the tinkling service tray, and distinctly disregarding Maureen (for it was their child whose name they would tick on the polling form). Be that as it may, to her extreme bothering, Howard recommended that each of them three follow shutting time. Miles Mollison was very as worried as his dad that the extraordinary surliness encompassing following day's vote would influence his discretionary possibilities. That very morning he had entered the newsagent's behind the Square and got a grab of discussion between the lady behind the till and her old client. ‘†¦ Mollison's constantly thought he was ruler of Pagford,' the elderly person was stating, unaware of the wooden demeanor on the retailer's face. ‘I enjoyed Barry Fairbrother. Catastrophe, that was. Disaster. The Mollison kid did our wills and I thought he was exceptionally satisfied with himself.' Miles had lost his nerve at that and slipped pull out of the shop, his face gleaming like a schoolboy's. He pondered whether the expressive elderly person was the originator of that mysterious letter. Miles' agreeable faith in his own agreeability was shaken, and he continued attempting to envision how it would feel if no one decided in favor of him the next day. As he stripped for bed that night, he watched his quiet spouse's appearance in the dressing-table mirror. For a considerable length of time, Samantha had been only snide in the event that he referenced the political race. He could have finished with some help, some solace, tonight. He likewise felt randy. It had been quite a while. Recollecting, he guessed that it had been the prior night Barry Fairbrother dropped dead. She had been somewhat flushed. It regularly took a smidgen of drink, nowadays. ‘How was work?' he asked, watching her fix her bra in the mirror. Samantha didn't answer right away. She focused on the dark red scores the substance underneath her arms left by the tight bra, at that point stated, without seeing Miles, ‘I've been importance to converse with you about that, really.' She abhorred saying it. She had been attempting to abstain from doing as such for a little while. ‘Roy figures I should close the shop. It's not progressing admirably.' Precisely how severely the shop was doing would be a stun to Miles. It had been a stun to her, when her bookkeeper had spread out the situation in the baldest terms. She had both known and not known. It was peculiar how your cerebrum could recognize what your heart would not acknowledge. ‘Oh,' said Miles. ‘But you'd keep the site?' ‘Yeah,' she said. ‘We'd keep the site.' ‘Well, that is acceptable,' said Miles enthusiastically. He sat tight for close to 60 seconds, keeping in mind the demise of her shop. At that point he stated, ‘I don't assume you saw the Gazette today?' She came to over for the nightdress on her pad and he had a wonderful look at her bosoms. Sex would help loosen up him. ‘It's a genuine disgrace,

Using the PHP Rand() Functions to Generate Random Numbers

Utilizing the PHP Rand() Functions to Generate Random Numbers The rand() work is utilized in PHP to produce an irregular number. The rand() PHP capacity can likewise be utilized to create an irregular number inside a particular range, for example, a number somewhere in the range of 10 and 30. In the event that no maximum breaking point is indicated when utilizing the rand() PHP work, the biggest whole number that can be returned is controlled by the getrandmax() work, which changes by working system.â For instance, in Windows, the biggest number that can be created is 32768. Be that as it may, you can set a particular range to incorporate higher numbers. Rand() Syntax and Examples The right linguistic structure for utilizing the rand PHP work is as per the following: rand(); or on the other hand rand(min,max); Utilizing the sentence structure as portrayed above, we can make three models for the rand() work in PHP: ?phpecho (rand(10, 30) . br);echo (rand(1, 1000000) . br);echo (rand());? As should be obvious in these models, the main rand work creates an irregular number somewhere in the range of 10 and 30, the second somewhere in the range of 1 and 1 million, and afterward third with no most extreme or least number characterized. These are some potential outcomes: 20442549830380191 Security Concerns Using Rand() Function The irregular numbers produced by this capacity are not cryptographically secure qualities, and they ought not be utilized for cryptographicâ reasons. In the event that you need secure qualities, utilize other irregular capacities, for example, random_int(), openssl_random_pseudo_bytes(), or random_bytes() Note: Beginning with PHP 7.1.0, the rand() PHP work is an assumed name of mt_rand(). The mt_rand() work is supposed to be multiple times quicker and it delivers a superior irregular worth. Be that as it may, the numbers it creates are not cryptographically secure. The PHP manual suggests utilizing theâ random_bytes() work for cryptographically secure whole numbers.

The Civil War Effects All Americans In Different Ways :: essays research papers

The Civil War majorly affected the American development in the 1860's. The epic Red Badge of Courage and the sonnet "Kentucky Belle" are prime instances of this. These two bits of writing show an inside gander at the Civil War, moving beyond the taking on and the conflicts. Red Badge of Courage is about a youthful Union warrior, Henry, managing the war and its mental impacts. "Kentucky Belle" is a sonnet about a lady experiencing a troublesome time, yet at the same time surrenders her pony to help a youngster attempting to make it home. The Civil War had a lot of fights, yet none of them contrast with the sentiments of the individuals during these fights.      In the novel Red Badge of Courage by Stephen Crane, the hero, Henry, is a Union fighter who fears what will befall him or any of his friends in his regiment while at war. Henry additionally considers his to be as genuine and others conscious individuals. Henry's inclination towards his foe shows that he is muddled about the war's motivation. The sentiments of Henry are presumably the equivalent in many Americans during this time. Stephen Crane, the creator, works admirably of acquiring the feeling of dread alive Henry during this anecdotal story. The sentiment of Henry represent the sentiments of numerous loved ones of officers at war. The sentiment of dread and vulnerability in Henry are like the considerations and sentiments of numerous Americans in the 1860's.      In the sonnet "Kentucky Belle", the creator shows a feeling of authenticity. The sonnet is about a lady and her child experiencing a troublesome time during the Civil War. The piece of the story that shows the most sympathetic piece of the story is the point at which the lady's family parts with their preferred pony Kentucky Belle. They parted with it to a warrior who frantically expected to return home. Giving was something numerous Americans did during the Civil War, and this sonnet is a prime case of this.      The Civil War here and there contacted the lives of pretty much each and every American. This was an extreme time for the nation, and the nation began to change. Ladies took bigger duties in the working environment in light of the fact that such a large number of men were missing in the armed forces. This a major change briefly in light of the fact that ladies were accustomed to taking "back seats" to mean during this time, and now, they’re doing men employments.

Types of Papers Written in College

Types of Papers Written in CollegeWhether you're getting ready to apply for a college degree or just want to take a few papers and turn them into a high quality work of art, there are a few types of papers you can turn to. In fact, you may be surprised at how many different styles and materials are available.Probably the most common styles are A4 and U.S. Letter size papers. They can be a little difficult to get into on a standard letter size printer, so a better alternative is to purchase pre-formatted paper that is already cut to certain sizes. One popular option is paper to fit perfectly inside a standard-sized stamp, which can be mounted to standard letter or legal size envelopes.Writing on larger canvasses is not usually best done with a single piece of paper. It's best to use several pieces of material, each labeled and sized accordingly. There are several options, from foil labels (paper that has a certain colored coating applied to it) to large sheets of white paper. If you f eel that your material is too distracting, consider using two or three different colors.Journaling can also be a great research tool. Most journals are designed with a type of adhesive on the back, which can be removed when writing. Other options include custom covers, glue, and double-sided tape. These are all fairly easy to remove, though the paper may need to be trimmed down slightly so the adhesive does not wear away.Diaries are an excellent choice for documenting your classes, personal life, or daily activities. They are usually lined in a single piece of stiff white paper, with blank spaces available at the end for notes. These tend to be a little less formal than a journal, but do make a beautiful, small-scale gift.One printable color that is growing in popularity is dye-sublimated. These are done by dipping colored plastic or cloth into a dye bath, then pressing the dye into the plastic or cloth. It doesn't require a lot of work, and you can purchase this material in almost any specialty printing store. The advantage to using this type of dye is that it lasts longer than printing on paper, and because it is colored, it will blend in nicely with almost any background.Another style you may consider is abstract art. One way to produce abstracts is by cutting pieces of the paper, rubbing them together, and waiting for the color to set. You can also try dipping various pieces of material, like art paper, into a dye bath. This style looks great, and you can buy high-quality printed work, but you have to be careful that the paper doesn't bleed through the plastic.By taking the time to browse different styles of papers, you'll quickly find what suits you best. While one might be perfect for another, if you decide to buy from an online printing store, be sure to check their return policy and use the instructions provided for proper care. Also, if you're printing on special paper, be sure to check to make sure it's available on the printing machine you want to u se for the job.

The Effect of Freuds Theory of Psychoanalysis on Literary Criticism - Literature Essay Samples

Sigmund Freud, as a nineteenth century neurologist, intricately studied the workings of the human mind, leading him to develop a controversial theory termed psychoanalysis. He differentiated between that which we knowingly do and think, and what that which we unconsciously repress, constructing a model of the separate divisions of the human psyche and its processes. In this essay I shall both explain Freud’s theory, as well as outline its implications for literary criticism as the unconscious thoughts of both the characters and the writer come into play. According to Freud’s process of psychoanalysis, the mind exists not as one single unit, but is rather separated into three distinct divisions: the conscious mind, the preconscious mind, and the unconscious mind. Freud uses an iceberg analogy in order to better explain his ideas about the levels of the mind. Here, the conscious mind is shown as comparable to the tip of an iceberg, the only part which is clearly exposed above sea level. This level encompasses the thoughts and feelings which we are aware of and our rational everyday thought processes. The preconscious exists just below ‘sea level’, and can be accessed when necessary but is not constantly in awareness, much like human memories. These are stored just outside of our consciousness, but we can retrieve them in response to a trigger such as an old photo or a friend recalling a memory out loud. The largest part of the iceberg which expands deep under the water hidden from view is analogous to Freud’s idea of the unconscious. This is a vast thought pool of mostly socially unacceptable desires, fears and anxieties. One of his key ideas on this part of the mind is the idea that it operates outside of our awareness, yet still affects our behaviour and personality without us knowing it. The majority of this level is composed of what Freud termed the ‘id’, the basal instincts and desires of the human mind. The id is comprised of the life instinct (or eros), which drives sexual desire and life sustenance, and the death instinct (or theros) which is responsible for aggression and self-destruction. Freud argued that the ‘ego’ is developed during infancy as a way of integrating the primitive desires of the id into the reality of society in a safe and acceptable way. The ‘superego’ is, according to Freud, the part of the brain which acts in accordance with moral expectations. Unlike the ego, the superego causes us to feel guilt when we allow ourselve s to act on our primal desires in an uncompromising fashion. Freud outlined the way in which this guilt or conscience keeps our unconscious desires from manifesting in a socially unacceptable manner as he argued that â€Å"Conscience is the internal perception of the rejection of a particular wish operating within us†[1]. When applied to literary criticism, Freud’s theory holds implications for the nature of characters and their unconscious motives, leading the characters to take on a new position in relation in the story, perhaps even transitioning from a protagonist to an antagonist or vice versa. An example of this can be seen in Henry James’s gothic novel, The Turn of the Screw[2]. Throughout James’s novel, we are presented with the story of a woman who, when taken in a literal form, is confronted by ghostly apparitions which haunt the house she becomes employed at. However, when read in the light of Freudian theory, these ghosts be more psychological than supernatural. Leonard Orr supports this alternative standpoint and affirms its alignment with Freud’s theory as he argues that â€Å"to see the ghosts as hysterical projections from the disturbed mind of the narratorso the children are victims; [is to place] the focus on the unconscious mind of the governess and the tools of psychoanalysis†[3]. Indeed, from a Freudian perspective, the close and intimate relationship which the governess develops with Flora and Miles may be seen as more perverse than maternal. Gary Gillard supports this notion as he suggests that the governess’s repressed sexual wishes â€Å"take the form of projections of perverted desire, directed at the children, but not manifestly emanating from the governess herself, but only revealed latently so to be, after a process of psychoanalysis†[4]. Certainly, much of the governess’s interaction with the children can be interpreted as holding sexual undertones, such as when she describes how she â€Å"held [Miles] to [her] breast, where [she] could feel in the sudden fever of his little body the tremendous pulse of his little heart†[5]. If this view is to be accepted, the ghosts may not be simply projections of her desire, but rather a product of her superego which experiences guilt. If she realises her actions are wrong, the apparitions may be a form of wish fulfilment, allowing her to alleviate her guilt by seeing herself as a protector of the children rather than an antagonist. Here, the governess has undergone a fundamental transition from hero and anti-hero when the text is approached from a Freudian perspective. Another key aspect of Freud’s theory which holds implications for literature is the Oedipus complex. Having drawn its name from the famous Greek tragedy Oedipus Rex about the man who unintentionally murders his father and marries his mother[6], the theory dictates that all children must develop through an unconscious attraction to their female parent. In the case of boys, this leads to an equally unconscious desire to rid themselves of their father who they deem the main competition for the mother’s affection. Indeed, Freud himself stated that â€Å"The sexual wishes in regard to the mother become more intense and the father is perceived as an obstacle; this gives rise to the Oedipus complex†[7]. Together with this comes what Freud termed ‘castration anxiety’. During this, boys fear that their father will take away their penis which categorizes them as male, as a consequence of this perceived rivalry over the love of the mother. To avoid this, boys r esolve their fears by imitating the father’s masculine traits and behaviours in the hope of one day attaining a sexual relationship with a similarly maternal woman. Girls, Freud argues, are subject to the phenomenon of penis envy, in which they come to blame their mother for their lack of male genitals, and subsequently shift their unconscious sexual desire from their mother to their father. Instead of an Oedipus complex, girls develop a similar complex, later labelled the Electra complex by Carl Jung, in which they experience rivalry with their mother over the attention of the father. Unlike the male, the female need for domination of a parent manifests as anger as oppose to anxiety. This anger leads the female child to fear the loss of her mother’s love as she begins to emulate her mother in the same way that the male child emulates his father. In relation to literary criticism, Freud’s theories of the Electra and Oedipus complexes can hold significant implica tions when applied to literary texts which feature a central parent-child relationship. What may appear as simple conflict over trivial matters may actually be a sign of an unconscious and unresolved Oedipus or Electra complex. A key example of this can be seen in Sylvia Plath’s poem Medusa[8]. From a Freudian perspective, the unnamed person to whom the speaker directs the poem can be interpreted as being the speaker’s mother. The poem’s tone seems caught between resentment of the mother and longing for the mother. She is clearly bitter towards her as she asserts that there â€Å"is nothing between [them]† and perhaps, as Freud might suggest, this is a result of lasting anger towards her mother over her unresolved penis envy and tension over desire for the father. This is further suggested as the speaker tells how her supposed mother is still â€Å"paralyzing the kicking lovers†, implying that in her eyes not only did her mother rob her of her fath er’s love, but is also destroying her relationship with her lover who serves as a replacement for her father. In light of Freud’s theory of the Electra complex, the meaning of the poem becomes one of maternal rivalry and an unresolved desire for possession of the father. In addition to a Freudian psychoanalysis of literary fictional characters, his theory can also be applied to writers themselves. According to Freud, literary texts are akin to dreams in the way that they exist as manifestations of the subconscious desires and anxieties of the dreamer or writer. Indeed, he suggested that literary texts should receive similar treatment to dreams in regards to the process of interpreting and understanding their content. This is outlined in detail in Freud’s text The Interpretation of Dreams[9] in which he proposes that dreams are a form of wish fulfilment of the mind’s repressed unconscious desires which seep through into awareness during sleep. According to Freud’s work, â€Å"The interpretation of dreams is the royal road to a knowledge of the unconscious activities of the mind†[10]. He argued that a dream is a combination of recent events which have occurred in reality, together with the repressed content of the unconsciou s mind, which undergo the process of condensation to form one image or dream. From a Freudian perspective, literature and other works of art are similar in nature to dreams. This theory holds several implications for writers, as Freudian critics can attempt to analyse their own unconscious thoughts through the psychoanalysis of their work. Hank de Berg highlights this as he states that â€Å"a psychoanalytic interpretation of literary texts and of the reactions to these texts can tell us a good deal about people’s unconscious wishes, about how they have or have not been able to fulfil these wishes, about their upbringing, and about their interaction with their social environment†[11]. However, it is important to note that from a Freudian perspective, the projection of the author’s psyche onto their literary text is completely unintentional. In other words, the writer is unaware not only that their subconscious desires and anxieties are being allowed to manifest in this way, but that they even exist at all. This again is much like the Freudian view of a dream, which contains both manifest and latent content. The latent content is the manifestation of the unconscious within the dream, while the manifest content is all that is remembered on waking. In conclusion, Freud’s theory as a school of literary criticism serves to uncover hidden meanings in narratives to delve into the unconscious of both the characters and the writer. Works of literature may appear on the surface to be products of rational thought and creativity. However, when studied from a Freudian viewpoint, they are seen as products of the subconscious desires and anxieties of the writer. What may appear to be a harmless event or description may actually be a window into the deeper and darker subconscious mind of the author. Similarly, Freudian criticism encourages us to engage in a similar analysis of the characters, stripping away appearances to find the unconscious roots of their actions and natures. These characters are often driven not only by their own unconscious, but by the manifest unconscious of their creator. Bibliography De Berg, Hank. Freud’s Theory and Its Use in Literary and Cultural Studies: An Introduction. New York: Camden House, 2004. Freud, Sigmund. The Ego and the ID. New York: Stellar Editions, [1923] 2014. Kindle edition. Freud, Sigmund. The Interpretation of Dreams. London: Dead Dodo Vintage, [1899] 2013. Kindle edition. Freud, Sigmund. Totem and Taboo: Resemblances Between the Psychic Lives of Savages and Neurotics. London: Some Good Press, [1913] 2015. Kindle edition. Gillard, Garry. â€Å"The Turn of the Screw and Psychoanalysis†. In Empowering Readers: Ten Approaches to Narrative, by Garry Gillard, 78-88. Kent Town: Wakefield Press, 2003. James, Henry. The Turn of the Screw. Tustin: Xist Classics, [1898] 2015. Kindle edition. Orr, Leonard. â€Å"Reading The Turn of the Screw†. In James’s The Turn of the Screw, by Leonard Orr, 29-64. New York: AC Black, 2009. Plath, Sylvia. â€Å"Medusa†. In Ariel, by Sylvia Plath. London: Faber Faber Poetry, [1941] 2010. Kindle edition. Sophocles. Oedipus Rex. Mineola: Dover Publications, [429 BC] 2012. Kindle edition. [1] Sigmund Freud, Totem and Taboo: Resemblances Between the Psychic Lives of Savages and Neurotics (London: Some Good Press, [1913] 2015), Kindle edition. [2] Henry James, The Turn of the Screw (Tustin: Xist Classics, [1898] 2015), Kindle edition. [3] Leonard Orr, â€Å"Reading The Turn of the Screw†, in James’s The Turn of the Screw, by Leonard Orr (New York: AC Black, 2009), 39. [4] Garry Gillard, â€Å"The Turn of the Screw and Psychoanalysis†, in Empowering Readers: Ten Approaches to Narrative, by Garry Gillard (Kent Town: Wakefield Press, 2003), 82. [5] James, The Turn of the Screw. [6] Sophocles, Oedipus Rex (Mineola: Dover Publications, [429 BC] 2012), Kindle edition. [7] Sigmund Freud, The Ego and the ID (New York: Stellar Editions, [1923] 2014), Kindle edition. [8] Sylvia Plath, â€Å"Medusa†, in Ariel, by Sylvia Plath (London: Faber Faber Poetry, [1941] 2010), Kindle edition. [9] Sigmund Freud, The Interpretation of Dreams (London: Dead Dodo Vi ntage, [1899] 2013), Kindle edition. [10] Freud, The Interpretation of Dreams. [11] Hank De Berg, Freud’s Theory and Its Use in Literary and Cultural Studies: An Introduction (New York: Camden House, 2004), 11.

Society in A Midsummer Night’s Dream by William Shakespeare

William Shakespeare uses his word craft and characters as outlets addressing social issues, race, class, and or gender. Through his plays, he emulates the real world and is able to manipulate his worlds to allow his audience to see everything from all sides. In A Midsummer Night’s Dream and discussed in â€Å"Jack shall have Jill;/Nought shall go ill† by Shirley Nelson Garner, in order for the world of men and patriarchal society and hierarchies to be secure and be well, the homoerotic relationships and relationships between women have to be subdued. Although A Midsummer Night’s Dream is a comedy, we can observe through important scenes what Shakespeare may imply when it comes to social issues, race, class, and or gender; in this case is the overpowering of women by men. Merchant in Venice is another play in which Shakespeare uses his characters to approach social issues of his time. Unlike A Midsummer Night’s Dream where the focus was more on gender, Merc hant of Venice brings up religion and class. He uses the conflict between Christians and Jews to portray the faults of both parties. Looking at A Midsummer Night’s Dream, there are a couple relationships we can see that Shakespeare creates and shows how homoeotic relationships and women to women relationships creates conflict with man and woman relationships or man and man relationships. Hermia’s father, Egeus, arranged a marriage between Hermia and Demetrius. Shakespeare makes Egeus a representative of patriarchy. Hermia doesShow MoreRelatedFantasy vs. Reality in a Midsummer Nights Dream Essay1126 Words   |  5 Pagesand Reality in A Midsummer Night’s Dream In A Midsummer Night’s Dream, Shakespeare easily blurs the lines of reality by inviting the audience into a dream. He seamlessly toys with the boundaries between fantasy and reality. 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There are many different characters in this play and they each play their own individual role in how the play is performed and read. Three main characters that showed great characteristics are: Puck, Tom Bottom, and Helena. The play, A Midsummer Nights Dream by William Shakespeare, uses characters and their conflicts to give meaning to this piece of literatureRead MoreEssay on Analysis of Rationality In A Midsummer Nights Dream1058 Words   |  5 PagesWilliam Shakespeare’s A Midsummer Night’s Dream is not simply a light-hearted comedy; it is a study of the abstract. Shakespeare shows that the divide between the dream world and reality is inconstant and oftentimes indefinable. Meanwhile, he writes about the power of the intangible emotions, jealousy and desire, to send the natural and supernatural worlds into chaos. 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Two lovers yearn to run away together to get married, but trouble sets in and their lives become more complex when magical fairies and a love potion get involved. The four Athenians have to battle their way through love’s compli cations. The perplexing â€Å"love square,† mythical interference, and the endeavor to find equanimity areRead MoreEssay The Comedies of Bernard Shaw and William Shakespeare1018 Words   |  5 Pagesassignment will critically analyse the comedies of William Shakespeare and Bernard Shaw and consider what characteristics they share and how they differ. It is also important to fully understand the genre of comedy, exploring its origins, definitions and sub-divisions. Literary comedy can be sub-divided into ‘Burlesque’ (associated with the ridiculous), ‘Comedy of Manners’, ‘Satirical’ and ‘Farce’, amongst others (Stott, 2005). The comedies of Shakespeare and Shaw take the form of dramatic comedy andRead MoreThe Tempest by William Shakespeare1858 Words   |  8 PagesWilliam Shakespeare’s The Tempest refines his portrayal of nature from the earlier play A Midsummer Night’s Dream. In A Midsummer Night’s Dream, nature is shown to be mysterious presence that blurs the lines between reality and illusion; it is a magical force that is unreachable and incomprehensible for human beings. A Midsummer Night’s Dream gives nature a mischievous, playful, dreamlike feel because in this play nature interferes for the sake of love. The Tempest breaks down the barrier that dividesRead MoreEssay on A Midsummer Night’s Dream: The Variations of Love900 Words   |  4 PagesLove is only as strong as the people who share it. In William Shakespeare’s play, A Midsummer Night’s Dream, there are relationships from all different viewpoints of love. Four Athenian lovers are caught in a web of love for the wrong person, according to fellow peevish characters. Along the story line of the play, one will be introduced to additional characters that try to be helpful by committing acts they presume will benefit the young lovers, but these characters actually create plot-twists.